
For decades, the islands have existed in Portuguese cinema more as distant landscapes than as voices capable of narrating themselves. Increasingly, however, Azorean filmmakers are transforming the archipelago from backdrop into subject — telling stories rooted in island memory, intimacy, tradition, humor, and emotional complexity. This week, RTP2 dedicated a special edition of the long-running program CINEMAX to precisely that emerging cinematic identity, highlighting two films produced in the Azores that continue gaining national and international attention.
The special broadcast featured the television premieres of First Date by Luís Filipe Borges and Sabrina by Maria João Sousa, accompanied by interviews conducted by Tiago Alves.
The program aired on May 18 at midnight, with a repeat broadcast scheduled for the early hours of May 23–24.
For Luís Filipe Borges, whose short film First Date won the Prémio Curta Pico 2024 presented by MiratecArts, the inclusion represented both institutional recognition and symbolic visibility.
“Another wonderful opportunity for First Date: to become part of the historic public-service program CINEMAX and to secure our television premiere on RTP,” Borges stated. “A series of good news.”
Meanwhile, Maria João Sousa celebrated the continuing journey of Sabrina, which received the Prémio Audiovisual Açoriano 2025 in the documentary category.
“Sabrina spreads its magic on RTP2, representing traditions and cinema made in the Azores,” Sousa remarked.
The selection of both films reflects the increasingly diverse character of contemporary Azorean cinema.
First Date brings Luís Filipe Borges’s characteristic narrative sensibility — balancing intimacy, humor, and emotional nuance — while Sabrina explores the islands through documentary language deeply connected to cultural memory and tradition.
Their presence on CINEMAX also carries historical significance because of the program’s role within Portuguese cultural broadcasting.

For generations, CINEMAX has functioned as one of Portugal’s most respected public television spaces dedicated to cinema, covering premieres, festivals, productions, and the evolving world of short films — a format often crucial for discovering emerging filmmakers and preserving artistic experimentation outside mainstream commercial structures.
Presented by Tiago Alves, the television edition continues to emphasize the importance of short-form cinema as both artistic laboratory and cultural archive.
The Azorean-focused edition arrived at a moment when filmmaking in the archipelago continues to gain visibility through festivals, institutional support, and the growing maturation of regional audiovisual production. Increasingly, the islands are producing films that do not merely depict landscape, but interrogate belonging, isolation, migration, memory, tradition, and the emotional texture of Atlantic life itself.
Importantly, the broadcast remained available only during the scheduled television airing and was not placed on RTP’s online platform — a reminder of how ephemeral certain moments of cultural visibility can still be, particularly for regional cinema.
Yet the journey of both films continues.
According to organizers, First Date and Sabrina remain active within national and international festival circuits, carrying with them fragments of the Azorean imagination into wider cinematic conversations beyond the islands.
In many ways, that may be one of the most important transformations now taking place in Azorean cultural production: the islands are no longer waiting to be interpreted from elsewhere. Increasingly, they are narrating themselves.
Translated and adapted from a Press Release.
